Vanessa Hudgens – Identified

Artist: Vanessa Hudgens
Album: Identified
Release Date: July 1, 2008
1. Last Night
Snapping and the bass beat starts off this song off nicely to make a rather rhythmic opening, and Hudgens’ “Nananana” at the beginning is rather catchy. The melody falls flat as she sounds like she stuffing in multiple amount of lyrics at parts of it. Hudgens sounds unenthusiastic throughout this song, but to her credit, she’s supporting her voice nicely; however, her tone is absolutely terrible, unpleasant and forced. There are points of the song where she has a nice vibrato, but her singing voice here is extremely unnatural sounding. The song as a whole is unimpressive and vocally annoying to listen to.
2. Identified
The next song brings out a more aggressive dance beat that’s much better than the opening track. The song is rather catchy with the bouncy synths throughout and the little camera snapshot sounds going on at various parts of the song. Hudgens’ filtered voice is unimpressive, but decent in this song. She still sounds rather one-dimensional in this song, but at least this song is vaguely enjoyable. Slightly on the dull side, but passable.
3. First Bad Habit
This is definitely a lot better. This song has a strong beat in the background that drives the song very nicely, and I find this song rather catchy. This is a lower sound with a bit of a trance-like sound to the background. Hudgens’ vocals are decent and I don’t really have much to comment about it. She sounds slightly more interested in here, and the song is quite memorable.
4. Hook it Up
“Yeahhh Wasssuupppp”. No, Vanessa, no. Past that very cheesy/lame opening, this song is another beat-orientated song with a strong beat. Hudgens goes into this weird chanting thing that you heard a lot in like… Maneater-type songs, which never ceases to amuse me to no end. As much as chanting tends to annoy me after awhile, this song is rather catchy. Hudgens does a good job keeping emphasis on the beats throughout this song. Catchy.
5. Don’t Ask Why
Hudgens’ falls back into a more acoustic sound for this next song as the guitar starts off this song. Her singing style is back to how she usually sang on her first album: thin, breathy, more speaking than actual singing. Yup. I actually think she has sung better in the past than she has on this track. She can barely keep the tune at parts of this song, but the chorus is substantially better vocally than the verses.
6. Sneakernight
This song is ridiculously amusing and catchy, despite how terribly done it is. Hudgens is back to how she sings on the opening track, but she sounds a bit better here as her nasally tone isn’t as evident here, but her singing is so forced and unmusical. This song is pretty much devoid of much of a melody and is based mostly on the piano playing in the background. Hudgens’ oversings a lot in this song and goes crazy vocally without putting out much musicality in her vocals and her pitch goes crazy at times and makes really unpleasant sounds at times. Regardless of her really bad singing here, the chorus line is really addictive for no apparent reason than the fact that it amuses me to no end.
7. Amazed
Heavy beats open this next mid-tempo song and Hudgens is heavily under voice effects and a rather interesting synths. This song is actually rather enjoyable, and I like the doubling of her voice in the chorus. The harmony is quite nice. Even if this song is slightly slower in tempo than the previous song, it’s well produced and Hudgens does well to bring the song forward with the heavy percussion beat.
8. Don’t Leave
Hudgens starts off this song right away from an interesting melody, followed by a rather dissonant sounds in the verse. She sings a rather linear line that is rather boring and one-dimensional. The dissonance in the background really doesn’t help in this case. The melody for the chorus (the same as the opening) has a nice flow and Hudgens sings it with interesting. She doesn’t have that great of a vocal, but she doesn’t sound terrible in the chorus here. The backings have a big kind of minimal sound to it as the sound has been put to make it sound echoed throughout. Mostly little xylophone, distorted stirngs can be heard, but the song itself, aside from the chorus, is rather dull.
9. Paper Cut
Piano opens this next song rather nicely. The sequence is well played and percussion acoustic guitar comes in eventually. Again, a lot of this song has a rather echoed effect. Hudgens sings like she does in her previous song, and she emotes well and presents it well, but she’s not always on pitch. Her muffled sound doesn’t help her pitch much as I find it restricts her for hitting some of the pitches. The song itself is actually quite pretty. The melody is light and flows through the song gently, and the xylophone sound really adds a dreamy quality to the song.
10. Party on the Moon
I have no idea what the “cococococococo” sound is on this song. It sounds like a random male is saying it, and it just loops over and over on this album. It’s rather distracting and confuses me rahter than adding to the song. Again, Hudgens’ voice is put through the voice distortion filters, and the accompaniment is rather synth centered. However, the song itself doesn’t really interest me much. Aside from the cococo parts in the background, there’s not that many definable sounds in this song.
11. Did It Ever Cross Your Mind
Another dance beat with a lot of vocoder on Hudgens’ voice. She starts with the lower registers and the beat drives this song well. The verse doesn’t really catch my attention. The chorus is much louder and as much accompaniment, and Hudgens’ falls flat on some of th phrases. This is yet another song that really doesn’t interest me much as I listen to it. However, I do like it better than the previous track. The repeated notes in the background are rather interesting.
12. Gone with the Wind
Beat and light piano start off this song. The piano sequence repeats itself over and over again, and Hudgens starts off this song in an unexpected place, but it sounds rather good. Her singing is much more resonant and clear, and less whiny and nasally. This is the singing that I know Hudgens can do. Her presentation of the opening lines are quite good. The chorus background vocals are off and cause dissonance and really don’t sound all that good with her main vocal. Some of the lines still sound forced as if Hudgens was trying to try for a certain vocal style (the swoops on the last notes), but she doesn’t pull it off that well at all. This is probably Hugens’ best singing on this album, but the arrangement could have been so much better, especially the background vocals which clash with her main vocal more than add to them.
Overall -
Favourite Track: Hook It Up
Vanessa Hudgens’ second album is a much better album in terms of the material. The music on this album is much more memorable and better produced overall than her previous album which was unmemorable and terribly boring. Vocally, Hudgens hasn’t changed much, but she does have her good moments (Gone with the Wind). However, the rest of the album was pretty underwhelming when it came to her vocals. Her voice on vocoder doesn’t sound bad, but without it, she’s still trying too had to sound “cute” and creates an unclear sound that affects her pitch. Even if this album was produced better than her previous album, there are still a lot of tracks that are forgettable, but the amount of memorable tracks (and catchy tracks!) has increased. It probably helps that the first single of this album, Sneakernight, is probably the most hilarious thing I’ve heard from her. Sure, the song hurts my ears, but it amuses me. Better than her debut album, but still not that great.









